page11_1
Nome/Name
Barbara Alge

Contacto profissional/Professional Contact
Hochschule für Musik und Theater
Beim St.-Katharinenstift 8
18055 Rostock (Germany)


Telefone/Phone
+49 (0)381 5108-123

Email:
barbara.alge@hmt-rostock.de

Website:
http://www.hmt-rostock.de

Filiação institucional/Institutional AffiliationFiliação institucional/Institutional Affiliation
Hochschule für Musik und Theater Rostock (Germany), Department of Musicology and Music Education

Research interests
ethnomusicology, ethnochoreology, historical anthropology, social history, memory, ritual, Catholicism, dance drama, lusophone world, cultural encounters, colonial art music in Brazil, ethnomusicology and Internet, ethnomusicology and music education

Professional experience
Since 10/2009 | Junior professor in ethnomusicology at the Musicology and Music Pedagogy Department of the Hochschule für Musik und Theater Rostock
10/2009-03/2010 | Adjunct lecturer in dance studies at the Musicology Department of the University of Salzburg
10/2008-03/2009 | Adjunct lecturer in ethnomusicology at the Musicology Department of the University of Vienna
04/2008-10/2009 | Freelance at the Phonogrammarchiv of the Austrian Academy of Sciences (data base, archiving)
11/2007-03/2008 | Cellist of the Collective of Improvising Artists (CIA) led by Peter Madsen, Jazz Seminar Dornbirn (Austria)
10/2005-10/2007 | PhD project on Portuguese mourisca performances funded by the Austrian Academy of Sciences
05/2005–01/2006 | Music teacher, Focomusical Lisbon
01/2009 | Violoncello teacher, Saint Just en Chaussee (France)

Education
10/2004–01/2008 | PhD, musicology (ethnomusicology), Musicology Department, Faculty for Human and Cultural Sciences, University of Vienna; PhD thesis ‘O mouro’ in der Vorstellung ruraler Gemeinschaften Nordportugals – Eine Studie von Tanzdramen in religiösen Kontexten supervised by Professor Gerhard Kubik and Professor Regine Allgayer-Kaufmann
10/1999–04/2004 | M.A., musicology and French, Musicology Department and Department for Romance Studies, Faculty for Human and Cultural Sciences, University of Vienna; master’s thesis Kontinuität und Wandel in der Tradition der Pauliteiros de Miranda (Trás-os-Montes, Portugal), supervised by Professor Gerhard Kubik
10/2004–06/2005 | Universidade Nova, Lisbon, seminars in anthropology and ethnomusicology
2002–2003 | Université Paris 8, Erasmus exchange year, seminars in ethnomusicology
1999–2002 | Vienna Conservatory, violoncello studies
1995–1999 | Vorarlberg Conservatory, violoncello studies

Professional training and qualifications
0/2008–03/2010 | Mentoring for Women in Science Programme, University of Vienna
11/2006 | NTNU Trondheim (Norway), New Ethnochoreologist Seminar

Research grants and awards
10/2009 | Recognition award for PhD thesis, Musicology Department, University of Vienna
12/2008 | Career development award, Dr. Maria Schaumayer-Stiftung, Vienna
10/2005 | DOC grant, Austrian Academy of Sciences
02/2005 | Grant for special merit, University of Vienna
09/2003 and 01/2005 | Grant for short term research, University of Vienna

Conference organisation
11/2011 | Co-organisation, “Beyond Borders: Welt-Musik-Pädagogik. Musikpädagogik und Ethnomusikologie im Diskurs”, conference, 11-13 November 2011, Hochschule für Musik und Theater Rostock
01/2010 | Co-organisation, “Inszenierung von ‘Weiblichkeit’ – Zur Konstruktion von Körperbildern in der Kunst”, conference, 22-24 January 2010, Vienna Tanzquartier
07/2007 | Assistant, 38th ICTM world conference, Vienna

Third-party funding
11/2011 | Friedrich Foundation, Seelze
10/2010-03/2010 | Eurolecture, Alfred-Toepfer Foundation, Hamburg

Memberships, collaborations and referee
International Council for Traditional Music, European Seminar in Ethnomusicology, Society for Ethnomusicology, Sociedad Ibérica de Etnomusicologia, Gesellschaft für Musikforschung

Academic service
2012-2015 Council member of the Society for Ethnomusicology

Referee
Referee for the FWF Austria, the British Academy, the DAAD, the journal world of music and the journal norient Academic Journal

PUBLICATION LIST

Books and editorship
since 2012 co-editor of
the world of music (new series)
since 2011 website reviews editor of the
Yearbook for Traditional Muisc
with Christine Ehardt, Daniela Pillgrab and Marina Rauchenbacher, 2011,
Inszenierung von „Weiblichkeit” – Zur Konstruktion von Körperbildern in der Kunst, Vienna: Löcker Verlag
2010
Die Performance des Mouro in Nordportugal, „Intercultural Music Studies“, Vol. 15, Berlin: Verlag für Wissenschaft und Bildung
with Oliver Krämer, forthcoming,
Beyond Borders: Welt-Musik-Pädagogik. Musikpädagogik und Ethnomusikologie im Diskurs, Augsburg: Wißner-Verlag
in preparation   
Transatlantic Musical Flows in the Lusophone World, the world of music (new series), 2013/2
2005     Os Pauliteiros de Miranda e os ‘lhaços’: entre a literatura popular, a dança e a música, series “à mão de respigar”, Instituto de Estudos de Literatura Tradicional, Lisbon: Apenas Livros
2004     Kontinuität und Wandel in der Tradition der Pauliteiros de Miranda (Trás-os-Montes, Portugal), master thesis, University Vienna, digital version under http://othes.univie.ac.at/3444/ , extended and revised version in Portuguese: Continuidade e mudança na tradição dos Pauliteiros de Miranda, 2006 online.
 
Book chapters
2012     „Musik
als Religiöses Ritual: Die Folia im Heiliggeistkult der Azoren”, Praktische Theologie und Musik, ed. by Peter Bubmann and Birgit Weyel, Veröffentlichungen der Wissenschaftlichen Gesellschaft für Theologie, Vol. 34, Gütersloh: Gütersloher Verlagshaus, 13-29
2011 „’Frauen und Stocktanz?’- Geschlechterzuschreibungen, Tradition und Gesellschaftswandel im Nordosten Portugals“,
Inszenierung von „Weiblichkeit“ – Zur Konstruktion von Körperbildern in der Kunst, ed. by Ehardt, Pillgrab, Rauchenbacher and Alge, Wien: Löcker Verlag, 205-219
2008, “Espaços de poder na procissão do Corpo de Deus em Penafiel”, in: Oliveira, Vítor Jorge (coord), Crenças, religiões e poderes: dos indivíduos às sociabilidades, Porto: Edições Afrontamento, 375-384
forthcoming      “Vom Feld ins Klassenzimmer: Musikalische Ethnographie und ihre Relevanz für die Musikpädagogik”,
Beyond Borders: Welt-Musik-Pädagogik. Musikpädagogik und Ethnomusikologie im Diskurs, ed. by Barbara Alge and Oliver Krämer, Augsburg: Wißner
 
Refereed articles
2012      „’Heterogenität und Dialog. Lernen am und vom Anderen als wechselseitiges Zuerkennen von Eigensinn (Thomas Ott)’: Eine Stellungnahme aus Sicht der Ethnomusikologie“,
Diskussion Musikpädagogik, 55/12, 23-28
2011    „Ethnomusicology and the Use(fulness) of the Internet in 2011”,
Yearbook for Traditional Music, 43, 267-272
2011     „Thesen zu Religion und Gedächtnis in Portugiesischen
Mourisca Tanzdramen: eine Hommage an Durkheim, Bergson und Halbwachs”,  Musik | Kultur | Wissenschaft. Rostocker Schriften zur Musikwissenschaft und Musikpädagogik, 1, Essen: Die Blaue Eule, 61-81 
2007     “The Pauliteiros de Miranda: from local symbol to intangible cultural heritage?”, Etnográfica, 11/2, 353-369
2007     “O ‘mouro’ como elemento comparativo em duas performances de mourisca em Portugal”, Revista de Trabalhos de Antropologia e Etnologia, 47/1-4, 71-92
2007     “A memória colectiva religiosa em danças dramáticas de Penafiel, Sobrado e Braga”, Revista da Faculdade de Ciências Sociais e Humanas, 18, Lisbon: Colibri, 403-423
forthcoming     „Zur Positionierung der Ethnomusikologie im Kontext einer Relationalen Musikwissenschaft an Musikhochschulen”,
Hebt man den Blick, so sieht man keine Grenzen“ – Grenzüberschreitung als Paradigma in Kunst und Wissenschaft. Rostocker Schriften zur Musikwissenschaft und Musikpädagogik, 2, Essen: Die Blaue Eule
in referee process   „Discourses of Atlantic Roots and Routes in Luso World Music”,
MUSICultures. Journal of the Canadian Society for Traditional Music
 
Refereed conference proceedings
2012     „Die Mourisca aus Portugal: ‚Botschafterin’ zwischen den Kulturen“,
all’ungaresca – al español. The Variety of European Dance Culture from 1420 to 1820, 3. Rothenfelser Tanzsymposium, edited by Schlottermüller, Uwe; Weiner, Howard und Maria Richter, Freiburg: Fagisis, 9-23
2012    „
La dança or Os Pauliteiros – Different spaces of a Portuguese stick dance”, In: „From Field to Text and Dance and Space“. Proceedings for the 24th Symposium oft he  ICTM Study Group on Ethnochoreology, edited by Elsie Dunin, Anca Giurchescu und Csilla Könczei, Cluj-Napoca, Romania: The Romanian Institute for Research on National Minorities; International Council for Traditional Music, Study Group on Ethnochoreology, 171-174
2010     „’They are Turks!’ – The emergence of meaning in the
Auto da Floripes from Neves”, Musicologica Wratislaviensia, BodyMusicEvent, 6, 101-116
2009    “Os mirandeses as ‘cultural capital’: Galandum Galundaina and the (re)construction of the ‘música mirandesa’ (Trás-os-Montes, Portugal)”, Actas del X Congreso de la SIBE, Gómez Muñiz, Rubén and Rubén López Cano (eds), Salamanca: SIBE-Obra Social Caja Duero
forthcoming     “’hier und netz’ und ‚song ping-pong’: Potential und Problematik echtzeitgenerierter interaktiver Netzmusik”, in: Musik-Transfer, Berichte aus dem Nationalkomitee des ICTM, 2010, Bamberg
 
Encyclopaedia entries
2010     “A Dança dos Paulitos”, “Lhaços”, ed. by Salwa El-Shawan Castelo-Branco, Enciclopédia da Música Portuguesa do Século XX, Lisbon: Círculo de Leitores
 
Refereed reviews
2012    „Ramón Pelinski,
La Danza de Todolella. Memoria, historia y usos políticos de la danza de espadas, Valencia: Instituto Valenciano de la Música, 2011, ISBN 978-84-482-5654-8“, the world of music (new series), 1/2 
2012     „Hanna Walsdorf,
Bewegte Propaganda. Politische Instrumentalisierung von Volkstanz in den deutschen Diktaturen, Würzburg: Königshausen & Neumann, 2010, ISBN 978-3-8260-4259-1“, Frankfurter Zeitschrift für Musikwissenschaft 13 (2010)
2011     „Morgenstern, Ulrich, 2008,
Traditional Russian instrumental music, Hamburg: Systemata Musika“, the world of music, 51/3 (2009) 
2009 „Madrid, Alejandro, 2008,
Nor-tec Rifa! Electronic Dance Music from Tijuana to the World, Oxford University Press”, Yearbook for Traditional Music, 41, 240-242
2009 „Vargas, Herom, 2007,
Hibridismos Musicais de Chico Science & Nação Zumbi, Cotia: Ateliê Editorial“, the world of music, 51/1, 149-152
2009 „Blogs by ethnomusicologists”,
Yearbook for Traditional Music, 41, 265-268
 
Refereed multimedia
Forthcoming     “Religious festivities, ritual dances, and popular theatre in Portugal (2004-2006)”, Ethnographic Video for Instruction and Analysis (EVIADA), Bloomington.
www.eviada.org
 
Articles and material for music education
2011     „Musik ohne Grenzen: Südostasien - Indonesien”,
Dreiklang 7./8. Schuljahr. Östliche Bundesländer und Berlin, hrsg. v. Ines Mainz und Georg Maas, Berlin: Cornelsen, 90-91
2011     „Brasilien: Country Musik aus dem Land des Samba?“,
Musik&Bildung (April-June) 2.11, Schott Verlag, 62-65
2011
Soundscapes Rostock, www.soundscapesrostock.de, Rostock/Wismar
forthcoming     „Anders Hören – Soundscape-Projekte in der Schule“, Proceedings of the Landesschulmusiktage 2011 in Rostock, ed. by Oliver Krämer
 
Non-refereed articles
2006     “Comemorar o passado ou o “mouro” no presente – A Festa dos Caretos em Torre de Dona Chama”, Brigantia, 26/1-4, tribute to Belarmino Afonso, Bragança, 289-306
2005      “Os lhaços dos Pauliteiros”, Brigantia, 25/3-4, Bragança, 209-224
2004/05      “A Popularidade dos Pauliteiros de Miranda”, Brigantia, 24/3-4 and 25/ 1-2, Bragança, 217-228