Miguel Lourenço
Name
Miguel Lourenço

Contact Information
Instituto de Etnomusicologia
Faculdade de Ciências Sociais e Humanas
Avenida de Berna 26-C
1069-061 Lisboa

E-Mail
mjll@campus.fct.unl.pt

Institutional Affiliation
FCSH, INET-MD

Activity
Research Assistant

Education
2001-2003. Faculty of Science and Technology / Universidade Nova de Lisboa (FCT/UNL). University graduation in Conservation and Restoration.

1998-2001 Faculty of Science and Technology / Universidade Nova de Lisboa
B.A degree in Conservation and Restoration.

INVESTIGAÇÃO / RESEARCH

Area of Research
Preservation; Ethnomusicology;

Research Interests
Preservation; Conservation & Restoration; Heritage Studies; Cultural and Media Studies; Ethnomusicology; Jazz Studies; Hindustani Classical Music; Popular Music; Music and Fine-Arts.

Research Team at INET
Ethnomusicology, Jazz Studies

Projects at INET
Jazz in Portugal: The Legacies of Luís Villas-Boas and the Hot Clube de Portugal.

Academic Positions and Professional Activities

Since 2012. Researcher at the project “Jazz in Portugal: The Legacies of Luís Villas-Boas and the Hot Clube de Portugal” (FCSH/INET-MD-PTDC/EAT-MMU/121834/2010)

October 2013. Course assistant of the course SOIMA –
Safeguarding Sound and Image Collections () from ICCROM - International Centre for the Study of the Preservation and Restoration of Cultural Property. Nairobi, Kenya, Africa.

2009-2011. Member of the project “The memory of Jazz in Portugal – organization and treatment of the Hot Clube de Portugal collection”. Project funded by the Calouste Gulbenkian Foundation. Main duties: project managing; conservation and cataloguing of the audio-visual items. Website:
http://www.hcp.pt

2008; 2009. Teaching about preservation of archival documents in the Historical Archives of Angola, Africa. Organized by the National Archives Institute of Portugal (DGARQ) and the Portuguese Institute for Development Support (IPAD).

2008. Treatment and mounting of twenty Chinese hanging scroll paintings. Camilo Pessanha collection from the Machado de Castro National Museum. Work as a professional free-lancer with 2 more colleagues. Project promoted by the Orient Foundation and supervised by the Portuguese Institute for Museums and Conservation IPMC.

2006-2007. Independent worker and professional fellowship in conservation & restoration. National Archives Institute/ Torre do Tombo (DGARQ/TT).Conservation of XVI-XVIII paper documents with irongall ink, mainly Inquisition processes. Co-leading environmental monitoring and biological risk management studies of all the archival deposits.

2004-2006. Scientific fellowship “Microbial Deterioration of Archival Materials from the DGEMN - Department for National Buildings and Monuments”. Scientific orientation and lab work in the CREM-SABT Biotechnology Unit from the FCT/UNL, and coordination by DGEMN. Project funded by the National Foundation for Science and Technology, Portugal (SFRH/ BI/ 15131/ 2004).

PUBLICAÇÕES / PUBLICATIONS

Scientific papers

(2011) “Conservation of a group of Chinese paintings and calligraphies from the Camilo Pessanha collection: an example of a “less oriental” approach”. Lourenço, M. J. L.; Astigarraga, I. Z.; Dias, J. P.; Conservar Património Nº 13-14, pp. 37-57. http://revista.arp.org.pt/en/artigos/13-14_4.html

(2011) “Mounting of a group of Chinese scrolls from the Camilo Pessanha collection: an alternative solution”. Lourenço, M. J. L.; Dias, J. P.; Astigarraga, I. Z., Conservar Património Nº 13-14, pp. 3-10. http://revista.arp.org.pt/en/artigos/13-14_1.html

(2009) “Microbial deterioration of gelatin emulsion photographs: Differences of susceptibility between black and white and colour materials”. Lourenço M.J.L., Sampaio J.P., International Biodeterioration & Biodegradation, Volume 63(4), pp 496-502.
http://www.sciencedirect.com/science/article/pii/S0964830509000341

(2007) “Microbial deterioration of gelatine emulsion photographs: a case study”, Lourenço, M.J.L.; Sampaio, J.P., Topics in Photographic Preservation, American Institute for Conservation of Historic and Artistic Works (AIC), Volume Twelve, pp. 19-34.
http://www.conservation-us.org/publications-resources#.VD08fRZ0aYI

(2005) “Microbial deterioration of gelatine emulsion photographs: isolation of contaminant microorganisms from three collections”, Lourenço, M.J.L.; Sampaio, J.P. Conservar Património, 2, pp. 13-19.
http://revista.arp.org.pt/en/artigos/2_2.html

(2005) “Isolamento, identificação e caracterização de microrganismos contaminantes dos arquivos da Direcção Geral dos Edifícios e Monumentos Nacionais”, Lourenço, M.; Pol, L. V.; Sampaio, J. P.; Phillips, A.; et. al., in
A História, a Formação e as Boas Práticas em Conservação e Restauro, Atas do 4º Encontro do Instituto Português de Conservação e Restauro, Universidade Lusíada, 24 e 25 Novembro, Lisboa : IPCR, (CD-ROM).

Other publications


(2014) “Entrevista a Aleixo Fernandes”. Hotnews - HCP Newsletter, issue 10 (in press) Co-authorship with Pedro Roxo, Bernardo Moreira and Inês Cunha;
http://www.hcp.pt/pages/newsletters_23.html

(2013) “Entrevista a José Eduardo – a escola de Jazz do HCP e a pedagogia do jazz na península ibérica”. Hotnews - HCP Newsletter, issue 8, pp. 16-21. co-authorship with Pedro Roxo;
http://www.hcp.pt/pages/newsletters_23.html

(2010) “Tratamento do núcleo museológico do HCP e “A memória do Jazz em Portugal”, Hotnews - HCP Newsletter, issue 01.
http://www.hcp.pt/pages/newsletters_23.html


Conferences and academic presentations

(2014) “Crossing Mind and Geographic Borders but Fixing Jazz Music Boundaries: The Foundation of Hot Clube de Portugal in the late 40s”, co-authorship with Pedro Roxo; Jazz Beyond Borders Conference, 4-7 September, Conservatory of Amsterdam, Netherlands. http://www.rhythmchanges.net/2014-conference/programme/

(2014) “Melodias de notas por entre notas, Sitar e Tabla Hindustanis”, co-authorship with José Manuel Leão Neves. 9 May, Escola Superior de Teatro de Cinema, Instituto Politécnico de Lisboa.

(2013) “Jazz networks in the Iberian Peninsula: the role of Luís Villas-Boas during the 1940s and the 1950s”, co-authorship with Pedro Roxo; Congreso Internacional ‘El jazz en España', 28-30 Novembro, Universitat Politècnica de València, Spain (paper under submission).
http://www.sgae.es/recursos/fundacion_autor_musica/programa_jazz_2013.pdf

(2013) “Following standards/ improvising tracks: examples of AV preservation from the Project “Jazz in Portugal: The Legacies of Luís Villas-Boas and the Hot Clube de Portugal”. SOIMA 2013: Safeguarding sound and image collections, conference day. ICCROM - International Centre for the Study of the Preservation and Restoration of Cultural Property. Nairobi, Kenya.

(2012) "Jazz em Portugal: Os legados de Luís Villas-Boas e do Hot Clube de Portugal – Um projecto de investigação” Co-authorship with Pedro Roxo and Gonçalo Antunes Oliveira. Colóquio Série Música em Contexto (INET-MD/CESEM). Faculdade de Ciências Sociais e Humanas/ UNL, Lisboa.

(2010) “The Hot Clube de Portugal collection”. I Encontro de Património Sonoro”, the Museum of the Portuguese Music, Cascais.

(2010) “The treatment of Chinese hanging scroll paintings: example of a ”less-oriental” approach”. Instituto Politécnico de Tomar, Tomar.

(2010) “Os documentos fotográficos: relações entre a preservação e o tratamento arquivístico”. II Jornadas de Arquivos da Câmara Municipal de Albufeira

(2009) “The treatment of Chinese hanging scroll paintings of the Camilo Pessanha collection from the Machado de Castro National Museum” co-authorship with João Dias and Isabel Zarazúa. 2nd meeting of the Portuguese Professional Association for Conservators-restorers - ARP.

(2006) “Microbial deterioration of gelatine emulsion photographs: a case study”. Photographic Materials Group (PMG), 34th annual meeting of the AIC - American Institute for Conservation of Historic and Artistic Work, Providence, Rhode Island, U.S.A.

(2005) “Microbial deterioration of gelatin emulsion photographs: a case study”. Lourenço, M.; Sampaio, J. P.; Internacional conferente “Conservação da Fotografia: Encarando o Futuro”, Arrábida Meetings, Fundação Oriente, National Library of Portugal, Lisbon.

(2005) “Isolation, Identification and Characterization of contaminant microorganisms from the Direcção Geral dos Edifícios e Monumentos Nacionais Archives”. Lourenço, M.; Pol, L. V.; Sampaio, J. P.; Phillips, A.; et. al., Communication it the 4th Meeting of the Portuguese Institute of Conservation and Restoration, Lisbon, Portugal.

Additional Education

Music and sound

Learning Indian classical music with the teacher Stephen Bull (since 2013).

Learning tabla and Indian classical percussion with the teachers Niraj Kumar Singh and Raimund Engelhardt (since 2009).

(2012) Course “Recovery, treatment and digitization of 78 rpm discs”, by Franz Lechleitner and Gerda Lechleitner (Phonogrammarchiv, Austrian Academy of Sciences). Aveiro University, 80 h. 10-19 December.

(2010) Course “Sound recording and processing”. Faculty of Social and Human Sciences/ Universidade Nova de Lisboa, Portugal (FCSH/UNL), 6-15 September. 1,5 ECTS.

(2005) Conference “Dois Injustos Esquecidos do Jazz Moderno: Lennie Tristano (1919-78) Eric Dolphy (1928-64) ”, por Manuel Jorge Veloso. Culturgest, Lisboa.

(2003) workshop do Festival Internacional “Seixal Jazz” realizado por Herb Robertson, Rich Perry, Ed Schuller e George Schuller. Seixal.

(2003) workshop “Workin’Jazz”. Drums/ percussion group by Bruno Pedroso. Fonoteca Municipal de Lisboa.

(2001-02) Student of Luís Villas-Boas/ Hot Clube de Portugal jazz school.

Other courses and seminars

(2013) Workshop "Digitization of photography, documents and books”. LUPA - Luis Pavão Ltd. http://www.lupa.com.pt

(2011) “SOIMA 2011: Safeguarding sound and image collections”, Riga, Latvia and Vilnius, Lithuania. ICCROM - International Centre for the Study of the Preservation and Restoration of Cultural Property.
http://soima.iccrom.org/

(2009) Workshop about the treatment of oriental art on paper, with Philip Meredith and Pauline Webber. Portuguese Institute for Museums and Conservation IMC, the Oriental Foundation and the Portuguese Professional Association for Conservators-restorers. Lisbon.

(2007) Workshop about information management in a photography archive “Organização e disponibilização de informação em arquivos fotográficos – relato da experiência do CPF”, Portuguese Center of Photography (CPF), Lisbon, October 25.
http://www.cpf.pt/

(2006) Professional course about management. INA - National Institute for Public Administration. 21-30 August. 60 h.
http://www.ina.pt

(2006) 34th annual meeting of the AIC - American Institute for Conservation of Historic and Artistic Work, Providence, Rhode Island, U.S.A, June 16-19.
http://aic.stanford.edu

(2005) Course “Biodeterioration and Conservation of Cultural Heritage” lectured by Dennis Allsopp and Christine Gaylarde. Art and Archeology Center/ Instituto Politécnico de Tomar.

(2001) Course “History of Portuguese Photography”. José Azeredo Perdigão Modern Art Center of the Calouste Gulbenkian Foundation, Lisbon. 40 hours.
http://www.camjap.gulbenkian.org